Practices & Interpretations is a journal of philological, educational and cultural studies. section meetings

Interesting things on the page:

- August 2, 17 and 24 - Outdoor concert “Summer at Public”

- The public library offers in the new school year

https://site/site/nashrostovdon/afisa/biblioteka

#public_library #art_exhibition #art_project #creative_meeting#SciencePRO

Outdoor concert “Summer at Public”

In August, a series of outdoor concerts “Summer at Public” will be held in Rostov-on-Don. The Don State Public Library prepared a summer project for residents and guests of the city.

Everyone will be able to listen to live performances of musical and creative groups, as well as attend poetry meetings:

- August 2- Concert of the audiovisual project “Fountain”, the music of which is an amazing combination of elements of modern classics, field recordings, environmental sounds, homemade instruments and noise synthesizers.

- August 17- Performance by the dance group “Zvartnots” at the Armenian Apostolic Church.

- August 24- Creative evening of the Rostov Theater of Poets, which synthesizes literature, history and theater.

The events start at 20:00.

We invite everyone.
Free admission!

December 20 and 27 and every Thursday, 16.00-18.30 - Free legal consultation
6.12.2018
Every Thursday Rostovites can receive free legal consultations in the Don State Public Library.

Citizens can seek advice on issues of civil, family, land, housing, civil procedural, and administrative law.
The reception is conducted by senior students of the Rostov branch of the Russian State University of Justice under the guidance of teachers - practicing lawyers, lawyers, representatives of the prosecutor's office of the Rostov region.
Consultations are held at the Library's Public Legal Information Center (2nd floor, Department of information and reference and bibliographic services).
Additional information by phone 264-06-14, email. mail: [email protected].

30.08.2016

In the new season 2016-2017. The Center for Cultural Programs of the Don Public Library offers old favorites, as well as new and interesting programs:

Rostov Cinema Club "KinoRostov". The head of the club is Ivan Vinogradov. 2 times a month at 17.00 Rostov film fans gather in the library's Cinema Hall to watch Rostov films on the big screen, communicate with the authors of the films and the creative film crew, discuss the films they watched with the audience, and also together look for possible ways to promote Rostov films. KinoRostov also offers master classes on cinematography, screenwriting, directing, film editing and even the basics of post-production.

Project “Laboratory of Success!” Head - Karina Gevorkyan, psychologist of the Association of Alumni Psychologists of SFU/RSU.The events will take place from September 18, 2016 every Sunday at 12:00. The project is being implemented among teenagers, parents and teachers. Aimed at the harmonious development of teenagers, their adaptation to adulthood, taking into account the task of professional choice and self-realization in modern conditions, as well as the personal growth of parents and teachers, promoting the formation of new skills and attitudes for more successful and harmonious interaction with teenagers. Laboratory of Success - a teenager’s confident step into adulthood and the peace of mind of adults about the well-being of their children. Giving a child a good start to the future, raising him to be a successful and happy person is the goal of every parent, teacher and mentor!

Project “Walks around Rostov”. The project manager is Sergey Vasilievich Skorikov, head of the Tanais club. This project will bring together local historians, historians, architects and all those who love their hometown and want to know as much as possible about it. Participants will be offered new interesting routes telling about the history of individual streets, buildings and houses. This is a unique opportunity to see your city in a new light.

Literary project “Read and play”. The project manager is Pkhida Alexander Semenovich, actor, director, journalist. Once a month from September 24, 2016 on Saturdays at 12:00 We invite everyone to read aloud, role-by-role, plays from Russian and world drama. The meetings will include theatrical analysis of the material, sketch tests and discussion. Everyone will be able to learn how to work with text, see the meanings it contains, discover its capabilities and not be afraid to speak. The plays are chosen by the project participants.

Literary project “School of Great Books”. Talented writers, poets, musicians and other famous people of the city will tell viewers about the books that changed their lives and influenced their worldview. In this project we will talk about coffee table books that we want to return to, about literature as a source of inspiration and the engine of our aspirations. Come to the library and look at the world in new colors!

New cultural programs:

* A series of public lectures “The Great Power of the Great Age of Our Literature...”. The course of lectures is given by Irina Aleksandrovna Balashova, associate professor, doctor of philological sciences, professor of the department of domestic literature at the Institute of Philology, Journalism and Intercultural Communication of SFU. Lecture topics: 1. In the house of the poet (G. Derzhavin, A. Pushkin, A. Ostrovsky). 2. Pushkin on the Don Land and the Caucasus. 3. Anecdotes with the participation of Russian poets and writers. 4. Evgeny Onegin - who is he? 5. Unfamiliar Goncharov. 6. Who is right: M. Lermontov or A. Fet? 7. The tragic muse of Anna Akhmatova. 8. Directing classics. About film adaptations of literary works.

* Subscription “The Creation of a Genius Before Us” - a series of lectures dedicated to the artistic creativity of A.S. Pushkin. The course of lectures is given by Irina Aleksandrovna Balashova, associate professor, doctor of philological sciences, professor of the department of domestic literature at the Institute of Philology, Journalism and Intercultural Communication of SFU. Lecture topics: 1. Children's poems by A.S. Pushkin. 2. Musical images of Tatyana Larina’s writing. 3. Pushkin – nobleman and equestrian. 4. Family happiness of Alexander Pushkin. 5. Story by A.S. Pushkin's "Queen of Spades" as a masterpiece of Russian literature and culture. 6. The Spanish theme in the works of A.S. Pushkin. Baroque culture as perceived by the poet. 7. The culture of book design in the era of Pushkin.

* Subscription “Adult Fairy Tales or Fairy Tales for Adults.” The course of lectures is given by Tikhomirova Ekaterina Grigorievna, candidate of philosophical sciences, associate professor of the department of the Russian State University of Social Sciences. Lecture topics: 1. Fabulous East (Japan, China, India, Egypt). 2. Russian fairy tales. 3. Modern times and literary magic (Swift’s “Gulliver”). 4. Charles Perrault. 5. Grimm and Andersen. 6. Gauff and Hoffman. 7. Lewis Carroll. 8. Modern fairy tales.

* Subscription “The Century of Progress and Its Art.” The course of lectures is given by Andrey Mikhailovich Berdichevsky, teacher at the Institute of Philology, Journalism and Intercultural Communication of Southern Federal University. Lecture topics: 1. “Chopin painting”. Landscape and portrait art by K. Koro. 2. "Michelangelo's Muscle Guy." Creativity of O. Daumier. 3. "The last genius of classical art." Works of E. Manet. 4. "Between Ingres and Impressionism or the story of a bird of paradise with an owl's character." Works of E. Degas. 5. "Anglo-American moth with the tail of a French scorpion." The works of J. M. Whistler. 6. "Crisis in the form of prosperity." The emergence of impressionism in the context of the history of classical art.

* “My City” subscription. The course of lectures is given by Lyubov Feoktistovna Voloshinova, an architect-restorer, local historian, and tour guide. Lecture topics: 1. Archaeological finds and discoveries of the 19th, 20th, early 21st centuries on the territory of Rostov-on-Don. 2. Old Bazaar Square is the oldest square in Rostov-on-Don. 3. Creations of Moscow and St. Petersburg architects in Rostov-on-Don (architects A.N. Pomerantsev, V.N. Pokrovsky, A.N. Beketov, M.M. Peretyatkovich, etc.) 4. City buildings erected at the expense of benefactors and trustees. 5. Chekhov's Taganrog 6. Chekhov and Rostov-on-Don 7. Temples erected at the expense of benefactors and trustees (Christian and non-Christian). 8. Bolshaya Sadovaya Street from the station to Bolshoy Prospekt (now Voroshilovsky Prospekt). 9. Bolshaya Sadovaya from Voroshilovsky Prospekt to Teatralnaya Square. 10. Tanais is a city on the edge of the Oikumene. 11. Boulevard Square of Nakhichevan (now Freedom Square). 12. Old Bazaar Square - Soviet Square - Bank Square. 13. Rostov cemeteries and cemetery churches of the 19th and 20th centuries. 14. M.A. Sholokhov in Rostov-on-Don. 15. “Classics of Rostov local history” (about local historians of Rostov-on-Don). 16. Walk along Pushkinskaya Street (excursion).

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  • PROGRAM

    international scientific conference

    LITERATURE IN THE DIALOGUE OF CULTURES - 6

    Conference schedule

    8.00 – 21.00 arrival and registration of participants (Pushkinskaya str., 150, Faculty of Philology and Journalism of the Russian State University, room 21)

    9.00 – 10.00 registration of participants arriving 02.10 (B. Sadovaya St., 105, 2nd floor, SFU club)

    10.00 – 12.00 plenary session of the South Russian Readings – 2008 (B. Sadovaya St., 105, 2nd floor, SFU club)

    12.00 – 14.00 break

    14.00 – 18.00 evening plenary session of the South Russian Readings – 2008 (Southern Federal University club, B. Sadovaya St., 105, 2nd floor)

    18.00 – 20.00 buffet (Pushkinskaya str., 150, 1st floor, cafe “Aesop and K”)

    10.00 – 13.00 sectional sessions (Pushkinskaya St., 150)

    13.00 – 14.00 break

    14.00 – 17.00 sectional sessions (Pushkinskaya St., 150)

    18.00 - boat trip along the Don River

    10.00 – 12.00 final cross-sectional meetings, reports from section leaders (Pushkinskaya St., 150, room 22);

    Departure of non-resident participants

    The duration of the report at a plenary session is up to 20 minutes, at a sectional session - up to 15 minutes. Discussion of reports and discussions on issues raised during the conference - during breakout sessions.

    ^ OPENING OF “SOUTH RUSSIAN READINGS - 2008”

    st. B. Sadovaya, 105, 2nd floor, SFU club

    Welcome speech from the rector

    Federal State Educational Institution of Higher Professional Education "Southern Federal University"

    Vladislav Georgievich Zakharevich

    ^ PLENARY REPORTS

    Kurilov Valentin Vasilievich (Russia, Rostov-on-Don)

    Theoretical problems in the study of literary history.

    Stepanyan Karen Ashotovich (Russia, Moscow)

    Phenomena and dialogue in the novels of F.M. Dostoevsky.

    ^ EVENING SESSION

    14.00 – 18.00

    SFU Club

    Strukova Tatyana Georgievna (Russia, Voronezh)

    S. Townsend: autostereotypes and heterostereotypes.

    Zababurova Nina Vladimirovna (Russia, Rostov-on-Don)

    “Treatise on Courtly Love” by Andre Capellan as a literary and cultural phenomenon of the 12th century.

    Popova Maria Konstantinovna (Russia, Voronezh).

    Dialogue of cultures, dialogue of eras in the post-colonial novel “Jasmine” by B. McHerji.

    Strashkova Olga Konstantinovna (Russia, Stavropol).

    Interpretation of myth in the tragedies of Vyach. Ivanova: on the question of intertextuality of the poetics of symbolism.

    ^ SECTION MEETINGS

    10.00 – 17.00

    (break 13.00 – 14.00)

    SECTION 1

    Audi. 22

    Leaders:

    Doctor of Philosophy Zababurova Nina Vladimirovna (Rostov-on-Don),

    Ph.D. Shevlyakova Natalya Nikolaevna (Maykop),

    Doctor of Philosophy Chugunov Dmitry Alexandrovich (Voronezh)

    1. Elena Valentinovna Grigorieva (Rostov-on-Don). Topos of the castle in Lewis's novel The Monk.

    2. Aksenova Polina Anatolyevna (Stavropol). On the question of identifying the place of the novels of the Byzantine cycle in the development of the chivalric romance.

    3. Shevlyakova Natalya Nikolaevna (Maikop). Fastnachtspiel as a product of German folk culture in the works of Goethe and Sachs.

    4. Berdichevsky Andrey Mikhailovich (Rostov-on-Don). A three-century dispute: on the history of the controversy around the comedy of the Restoration.

    5. Chernenko Irina Anatolyevna (Rostov-on-Don). Goethe and the secret societies of 18th century Germany.

    6. Sadovskaya Irina Gennadievna (Rostov-on-Don). In search of harmony: the image of the Champs Elysees.

    7. Zhgileva Natalya Evgenievna (Krasnodar). Spatial symbols in the artistic worlds of Kafka and Hoffmann.

    8. Chugunov Dmitry Alexandrovich (Voronezh). First person... ( observations on modern German prose).

    9. Komarov Sergey Anatolyevich (Gorlovka) Postmodern interpretation of the image of Penelope in the novel “Ithaca Forever” by Luigi Melerba.

    10. Oks Marina Vladimirovna (Rostov-on-Don). Literary eclecticism and parody in E. Burgess’s novel “1985.”

    11. Dzhumailo Olga Anatolyevna (Rostov-on-Don). Confessional reflection and the “son of the century” motif in the British novel 1980-2000.

    12. Vera Vladimirovna Kotelevskaya (Rostov-on-Don). Communication strategies in the novels of E. Jelinek.

    13. Prikhodko Vera Sergeevna (Rostov-on-Don). Nick Cave, “There is a kingdom”. Religious and philosophical lyrics.

    SECTION 2

    Faculty of Philology and Journalism, room. 29

    Leaders:

    Doctor of Philosophy Strashkova Olga Konstantinovna (Stavropol),

    Ph.D. Kozlov Vladimir Ivanovich (Rostov-on-Don),

    Ph.D. Sukhorukova Natalya Vladimirovna (Rostov-on-Don)

    1. Bagdasarova Anna Aleksandrovna (Rostov-on-Don). The legend of Don Juan in the poetry of the Silver Age.

    2. Akopova Yulia Alekseevna (Rostov-on-Don). Andrei Bely and Carl Jung: in search of the path to “transformation of humanity.”

    3. Ivaneeva Olga Pavlovna (Rostov-on-Don). On the significance of cultural and historical realities in the work of A. Akhmatova (the “Requiem” cycle).

    4. Kozlov Vladimir Ivanovich (Rostov-on-Don). Mandelstam’s “Twins” and the poetics of orality.

    5. Shutko Lyudmila Semyonovna (Rostov-on-Don). The Jewish aspect of dialogue in the works of O. Mandelstam.

    6. Sukhorukova Natalya Vladimirovna (Rostov-on-Don). “Alien” as “our own” in the structure of M. Voloshin’s lyrical cycle “Amori amara sacrum”.

    7. Vishenkova Anna Vladimirovna (Volgograd). “Venice” by I. Brodsky: traditions and innovation.

    8. Didenko Larisa Vasilievna (Salsk). Cognitive organization of the concept of “creativity” in the aesthetics of A. Bely.

    SECTION 3

    Faculty of Philology and Journalism, SFU Club

    Leaders:

    Doctor of Philosophy Kurilov Valentin Vasilievich (Rostov-on-Don),

    Doctor of Philosophy Makarova Lyudmila Sergeevna (Maykop),

    Doctor of Philosophy Strukova Tatyana Georgievna (Voronezh)

    1. Altashina Veronika Dmitrievna (St. Petersburg). Autofiction: from postmodernism to classicism.

    2. Ananyina Olga Aleksandrovna (Rostov-on-Don). Map as a structural element of a sea novel.

    3. Olga Aleksandrovna Kasyanova (Krasnodar). Literature and cinema: French animated film based on the novel by E. Poe “The Masque of the Red Death”.

    4. Khoroshevskaya Yulia Pavlovna (Rostov-on-Don). Genre originality of the novel “Songs of Peter Slyadek” by L. Oldie.

    5. Lazutkina Olesya Aleksandrovna (Voronezh). Musical genres in literature: early cycles of Hesse’s stories “On this side”, “Neighbors”, “Detours”.

    6. Makarova Lyudmila Sergeevna (Maykop). The problem of creative interpretation in literary translation.

    7. Clue Ekaterina (Saarbrücken). Cognition between two cultures. Models of intercultural identity in Ilya Troyanov’s novel “The World is Great, and Salvation Waits Around Every Corner” (1996).

    8. Clue Marko (Saarbrücken). Metaphysical resurrection of the author in the philosophical prose of A. Sekatsky.

    9. Miroshnichenko Oksana Sergeevna (Rostov-on-Don). The specificity of self-conscious narration in V. Kataev’s novel “My Diamond Crown.”

    10. Spineeva Elena Vladimirovna (Lugansk). The role of poetic communication in conditions of linguocide.

    11. Terekhova Galina Khamidovna (Rostov-on-Don). Steppe and garden as interacting components of Chekhov's poetics.

    12. Fidarova Rima Yaponovna (Vladikavkaz) Specifics of the Ossetian myth novel.

    13. Mamieva Izeta Vladimirovna (Vladikavkaz). K. Khetagurov’s poem “Fatima” through the prism of intertextual inclusions.

    14 Ostapenko Daria Igorevna (Voronezh). British accent of dialogue with Russia.

    15. Safonov Nikita Sergeevich (Volgograd). The place of artistic allusion in modern prose.

    16. Leonov Ivan Sergeevich (Moscow). The theme of national traditions and connections between generations in modern Orthodox literature.

    SECTION 4

    Faculty of Philology and Journalism, room. 25

    Leaders:

    Ph.D. Balashova Irina Aleksandrovna (Rostov-on-Don),

    Doctor of Philosophy Savenkova Lyudmila Borisovna (Rostov-on-Don),

    Doctor of Philosophy Saskova Tatyana Viktorovna (Moscow)

    1. Virginia Bennett (Hawaii). Prince Myshkin: the embodiment of "agape" as described in the First Epistle to the Corinthians.

    2. Davydova Alexandra Sergeevna (Rostov-on-Don). Bazarov and the category of cyclic time in the novel “Fathers and Sons”.

    3. Klyus Alexandrina Grigorievna (Stavropol). Comparative historical analysis of “The Tale of Peter and Fevronia of Murom” and the novel “Tristan Isolde”.

    4. Jacques Ekaterina Sergeevna (Rostov-on-Don). From memoirs to novel (works by A. Naiman).

    5. Kravtsova Tatyana Viktorovna (Moscow). Spiritual poems (about the history and current state of the genre).

    6. Kulagina Maria Nikolaevna (Stavropol). The motive of sacrifice in “Tales of the Azov Siege” and V. Butenko’s trilogy “To Love Forever.”

    7. Balashova Irina Aleksandrovna (Rostov-on-Don). About the sources of the main conflict of the play by A.S. Pushkin "Mozart and Salieri".

    8. Semenov Pavel Pavlovich (Moscow). Man and God in the lyrics of M.Yu. Lermontov.

    9. Yulia Igorevna Kharechko (Moscow). The duality of perception of the world in the lyrics of M.Yu. Lermontov.

    10. Lukin Andrey Vladimirovich (Moscow). Autobiographical beginning in the works of M.Yu. Lermontov.

    11. Cheryukina Guzel Leonidovna (Rostov-on-Don). Epic hero N. Leskova: the problem of genre function.

    12. Saskova Tatyana Viktorovna (Moscow). N. Gogol and A. Remizov: from the “Mirgorod” gander to the Parisian concierge.

    13. Savenkova Lyudmila Borisovna (Rostov-on-Don). In the space of faith and doubt: reflections on Chekhov and his characters.

    14. Osipova Tatyana Osipovna (Rostov-on-Don). The skill of Bulgakov - an opera librettist.

    15. Tsytsenko Irina Ivanovna (Rostov-on-Don). “Floating Eurasia” by T. Pulatov as a postmodern novel.

    16. Belova Lyudmila Borisovna (Rostov-on-Don). The circus of the country of the totalitarian regime in Leonov’s novel “Pyramid”.

    ^ ROUND TABLE:

    Dialogue of cultures and intertextuality

    10.00 – 12.00

    Aylarova S.A. (Vladikavkaz), Bezrukov A.N. (Birsk), Betina O.G. (Tambov), Bondarenko T.A. (Tbilisi), Bushev A.B. (Tver), Vetoshkina Z.A. (Krasnodar), Gassieva V.Z. (Vladikavkaz), Demina L.I. (Maykop), Dzutseva N.A. Vladikavkaz), Ermolaeva Zh. E. (St. Petersburg), Ivanshina E.A. (Voronezh), Konovalova E.A. (Volgograd), Kotelnikov V.A. (Moscow), Lutsenko M.A. (Stavropol), Lyubimtseva L.N. (Gorlovka), Malygina I.Yu. (Stavropol), Mandzhieva B.V. (Elista), Marchenko T.M. (Kharkov), Marchuk M.I. (Yaroslavl), Megrelishvili T.G. (Tbilisi), Mikhailova T.N. (Frolovo), Modebadze I.I. (Tbilisi), Moiseenkova E.A. (Stavropol), Nagornaya N.A. (Belgorod), Nikanova N.V. (Moscow), Novikova V.Yu. (Krasnodar), Ostapenko D.I. (Voronezh), Panov S.V. (Moscow), Ivashkin S.N. (Moscow), Perzeke A.B. (Kirovograd), Pogrebnaya Ya. V. (Stavropol), Ratiani I.Sh. (Tbilisi), Rudneva E.G. (Moscow), Salikhova Z.H. (Naberezhnye Chelny), Serebryakov A.A. (Stavropol), Solovyova L.V. (Elabuga), Starygina N.N. (Yoshkar-Ola), Suslova M.V. (Moscow), Kharitonova E.V. (Volgograd), Elbakidze M.V. (Tbilisi), Yusupova Yu.L. (Novorossiysk).

    Andrey Mikhailovich Berdichevsky


    Annotation

    The article “The Cromwell Phenomenon in Marvell’s Mirrors: Multiplicity of Image and Duality of Perception” is devoted to one of the significant collisions in the history of English literature of the 17th century. The first part of the article presents the sides of the conflict: the traditional picture of the world, which dominated at that time in the minds of people of culture, and the phenomenon of Cromwell. As a traditional picture of the world, the doctrine of the “Great Chain of Being” with its main statements is considered here: 1) the world order is built on a hierarchy of ranks and disintegrates if it is violated; 2) the poetic word is entrusted with the mission of protecting world harmony; 3) a similar function is assigned to the law, embodied in the figure of the king. Cromwell’s activities paradoxically challenged these ideologies, since they systematically destroyed the traditional hierarchy, but did not lead to disorder, but to the strengthening of the state power of England, which contradicted all the postulates of the “Great Chain” doctrine.
    The second part examines Marvell's perception of this paradox in The Horatian Ode. Marvell comprehends Cromwell’s career using the “metaphysical” technique of visual-semantic perspective, in which a number of figurative metamorphoses of the figure of Cromwell as a subject of military power arise: lightning - falcon and hound - Caesar and Hannibal. In them, Marvell sees a providential plan for the future transformation of England into New Rome that captivates him. However, in his mind there remains a strong emotional connection with the image of world hierarchical harmony destroyed by Cromwell. Hence the dramatic duality of Marvell’s perception of Cromwell’s paradox, which is in no way resolved in the Ode.

    Key words: Marvell, Cromwell, The Great Chain of Being, “The Horatian Ode”, visual-semantic perspective, providential plan, “ambiguity”, “the dissociation of sense”.

    DOI 10.23683/2415-8852-2017-1-53-82

    Quote:

    Berdichevsky A.M. The Cromwell phenomenon in Marvell’s mirrors: plurality of image and duality of perception // Practices and interpretations: a journal of philological, educational and cultural research. 2017. T. 2, No. 1. P. 53-82.


    Literature

    Barg, M.A. Shakespeare and history. M.: Nauka, 1975.

    Brooks, C. (1969). Marvell's Horatian Ode. In J. Carey (Ed.), Andrew Marvell: a critical anthology (Penguin critical anthologies). Harmondsworth: Penguin, 179‒986.

    Allen, D.C. (1962). Richard Lovelace: “The Grasse-hopper”. In W.R. Keast (Ed.), Seventeenth century English poetry. Oxford: Oxford University Press.

    Brooks, C. (1962). Marvell's Horatian Ode. In J. Carey (Ed.), Andrew Marvell: a critical anthology (Penguin critical anthologies). Harmondsworth: Penguin, 179‒986.

    Bush, D. (1962). English literature in the earlier XVIIth century. Oxford: Oxford University Press.

    Cruttwell, P. (1969). The Civil war and the division of age. In J. Carey (Ed.), Andrew Marvell: a critical anthology. Baltimore: Penguin Books.

    Eliot, T.S. (1962). The metaphysical poets. In W.R. Keast (Ed.), Seventeenth century English poetry. Oxford: Oxford University Press, 23‒31.

    Hunt, D.D. (1978). Andrew Marvell: his life and writings. N.Y.: Cornell University Press.

    Marvell, A. (1993). The complete poems. London: Everyman's library.

    Wedgwood, C.V. (1964). Poetry and politics under the Stuarts. Cambridge: Cambridge University Press.


    Links

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    (c) 2017 Andrey Mikhailovich Berdichevsky



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